Shakespeare the Poet - World Poets series

This still relatively recently discovered portrait of William Shakespeare - its very existence first announced to the world in March 2009 - is believed to be the only one painted in his lifetime. Our imagination’s batteries are uniquely re-charged as we finally look into his face for the first time and feel compelled to ask ourselves afresh so many things about him. Here's one: to what extent did the author of the Sonnets feel he was writing poems in his plays as though momentarily staging a poetry recital of set pieces to hold an audience’s breath in mid-drama? Shakespeare left plenty of answers. Yes, they are there to be uncovered the moment one begins to explore the Sonnets, the longer poems ‘Venus and Adonis’ and ‘The Rape of Lucrece’, ‘The Passionate Pilgrim’ and ‘Verses in Love’s Martyr’. But like steeplechase clues, they can also be come upon time and again, and often in spectacular fashion, along the pathways of his theatre, at key moments in the lyrical plays, the tragedies and the late Romances, and sometimes for whole plays on end. “Richard II is a chunk of poetry about a god who wants to be a person", Fiona Shaw declared once on the Andrew Marr Show. When Postumus says to Imogen, “Hang there like fruit, my soul, /till the tree die” in Act Five Scene five of Cymbeline, the audience is in the presence of one of the best line-breaks in poetry.